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  English 360
Images of Love in European Literature
 
          
English 360
Images of Love in European Literature
Fall 1998
T-Th, 3:00-4:20
Hoover 205
Professor Wendy Furman
Office: Hoover 211
Phone: 907-4809 (office)
693-1809 (home)
Office Hours: M,W, 10-12;
F, 10-11; T,Th, 4:30-5
Email: wfurman@whittier.edu

    
 

Required Texts:

Andreas Capellanus. The Art of Courtly Love, trans. John Jay Parry. New York: Columbia UP, 1990.

Milan Kundera. The Unbearable Lightness of Being. New York: Penguin, 1984.

Roger S. Loomis and Laura Hibbard Loomis, eds. Medieval Romances. New York: McGraw-Hill, 1957.

Plato. The Symposium, trans. Walter Hamilton. New York: Penguin, 1951.

William Shakespeare. Romeo and Juliet, ed. John E. Hankins. New York: Penguin, 1970.

Virgil. The Aeneid, trans. Allen Mandelbaum. New York: Bantam, 1961.

You also will be responsible for buying and reading an anthology of shorter materials (cost $8.00--payable by check by September 17; after that
date, cost goes up to $10.00).


Required Work:

1. Reading assignments to be completed before the dates for which they are assigned (i.e. in time for class discussion).

2. Prompt and regular attendance at all class sessions (including at least two evening films).

3. Three short response papers (about 2 pages each).
Note: Late papers will be accepted, but will be marked down one half grade for each class day after the due date.

5. One longer paper (8 - 10 pages), based on materials beyond those presented in the course.

6. A comprehensive final exam (identification and essay).

Grading Factors:

1. Attendance, preparation and discussion                  25
2. Short papers                                                         30
3. Longer paper                                                         20
4. Final exam                                                            25
                                                                               100%
Grading Options:

1. A - F
2. Credit/No Credit (non-majors only)

Manuscript Style:

Papers are to be typed double-space in a 12-point font, and printed on a letter-quality printer. They should be handed in on separate sheets of 8 1/2 X 11 bond paper stapled in the upper left-hand corner. Margins should be one inch; paragraphs are to be indented five spaces. Spaces should not be skipped between paragraphs. Notes and bibliography must follow the MLA Handbook, copies of which are available in both the library and the bookstore.

Always keep hard-copies of all your work. Documents can get lost--both from my desk and from your disk, whether hard or floppy. Should this occur, I will expect you to be able to produce a copy immediately; otherwise, I will be forced to count the paper as late beginning with the day of your failure to do so. (See above for general policy on late papers.)

The Schedule:

Note: All readings not listed separately as class texts are to be found in the class anthology (CA).

I. Love in Biblical and Classical Literature

Sept. 10    General introduction to the course. Botticelli's Primavera, Titian's Sacred and Profane
                 Love,
and Galway Kinnell's "Call Across the Valley of Not Knowing," CA 4 - 7.


         15    Love as Strong as Death: The Biblical Song of Songs (8th - 3rd Century B.C.E.), CA 10 -                 20. Performance and discussion.

         17    Love as a sickness; love as a game: Greek poets--Sappho
                 (c. 590 B.C.E.), Anacreon (c. 500 B.C.E.), and Theocritus (275 B.C.E.),
                 CA 22 - 30.


         22    Love as the road to absolute Beauty: Plato's Symposium (c. 350 B.C.E.). Also see CA 31.



         24    Love as social contract and aesthetic pleasure: Roman poets-- Catullus (84 - 54 B.C.E.);
                 Horace (65 - 8 B.C.E.); and Ovid (43 B.C.E.- 17 C.E.), CA 32-50.


         29    Love as fatal madness: The Aeneid of Virgil (70 - 19 B.C.E.),
                 Books I - IV and Book VI, pp. 147 - 48.

Oct.   1      Love as "mortality's eclipse": the late Roman lyric, CA 52-57.
                 Response paper # 1 due.


II: Love in Medieval Literature

Oct.   6      The Art of Courtly Love (1): Troubadours and Trouvères
                 (France, twelfth century C.E.), CA 59-73; 76, 78.

         8      The Art of Courtly Love (2): Andreas Capellanus (c. 1175).


         13     The Courtly Romance: Gottfried von Strassburg's Tristan and Isolt (Loomis and Loomis,
                  pp. 88 - 232).

         15     Tristan and Isolt. Also see CA 74.


         20     La dolce stil nuovo: Dante Alighieri (1265 - 1321) and his circle (Italy, late thirteenth
                  century), CA 80 - 89.

         22     Gothic Synthesis: Dante's Paradiso, CA 90 - 96. Response paper # 2 due.

III: Love in the Literature of the Renaissance

Oct.   27     Wasted Days: Francesco Petrarch (1304 - 1375) and the sonnets of renunciation (Italy,
                  fourteenth century), CA 97 - 100.

         29      Petrarchanism with an "other" voice: Gaspara Stampa, CA 103 - 108.


Nov.   3       Romantic Love--the Platonic strain: Castiglione's The Courtier (selections from Book IV),
                  CA 109 - 22. Also review Plato's Symposium, and come prepared to discuss the ways in
                  which Castiglione has borrowed from, and revised, that foundational text.

         5        Romantic Love--the Ovidian strain: Marlowe's Hero and Leander (England, late sixteenth
                   century), CA 124 - 137.


         10      The Sonnet (1)--Struggle: Wyatt and Surrey; Sidney; Shakespeare; Greville (England,
                   1540's - 1590's), CA 136 - 50.

         12      The Sonnet (2)--Synthesis: Spenser's Amoretti and Epithalamion, CA 152 - 67.

         17      The Poetry of Marriage: Milton's "Haile Wedded Love" (from Paradise Lost, Book IV) and
                  "Late Espoused Saint" (Sonnet XXIII), CA 168 - 71.
                  7:30 p.m.: Viewing of at least one film version of Romeo and Juliet. (Location T.B.A.).
 

         19      Renaissance love tragedy: Romeo and Juliet. Discussion of
                  film version(s) in the context of Shakespeare's text. Response paper # 3 due.

         24      Romeo and Juliet. Also review the Aeneid and Tristan and  Isolt and come prepared to
                  discuss how Shakespeare draws on, and revises, their fundamental assumptions about
                  love. Proposal for final paper due.


         26      Thanksgiving.


Dec.  1        The poetry of seduction (profane and sacred): Donne, Herbert, Herrick, Marvell, and
                   others (England, early seventeenth century), CA 173 - 89. Review earlier lyrics in the
                   course to assess possible influences.

IV (epilogue): Love in Twentieth Century Literature and Film

Dec.  3        Milan Kundera, The Unbearable Lightness of Being.


         8        The Unbearable Lightness of Being.
                   7:30 p.m.: Film--Wim Wenders' Wings of Desire (Location T.B.A.).

         10      Last day of class. The Unbearable Lightness of Being.
                   Final paper due. Review for final.


Dec.  18  (Friday): Final Examination, 10:30-12:30. Make a note of this now
and make your holiday travel plans accordingly!
 
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