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In a voice at once luminous and
brooding, humorous and grave, Willis
Barnstone offers an amazing sonnet
sequence on his double life-and
distinguished career-as a scholar and an
artist. While translating the poetry of
Borges in the mid-70's, he rediscovered
the sonnet's dramatic potential: "It was
as if I had discovered the secret of
flight, how to let myself go, with
faith, fear, and all the forces I could
summon up to intensify the clarity of
the moment." Thus began what he calls
his "eighteen-year drunk on the sonnet."
Sensations and experiences from a
lifetime among many cultures on many
continents inspire sometimes sparkling,
sometimes somber, but always piercingly
honest meditations: a tea commune in
China, "the sky of awful smoke" at
Auschwitz, a New York heat wave, a
Tangier prostitute, the suicides of his
father and brother, Greek seas and
skies. The lyricism of the language, the
antic humor, and the unblinking scrutiny
of difficult questions through a fierce
but loving lens make this collection
more than the signature of a singular
mind: it represents a major
revitalization of a dormant poetic form.
"Four of the best things in America
are Walt Whitman's Leaves, Herman
Melville's Whale, the sonnets of
Barnstone's Secret Reader, and my
daily Corn Flakes--that rough poetry of
the morning."
--Jorge Luis Borges
"A valuable accomplishment, worthy of
Borges who acts here as Barnstone's
'master.' These five histories build up
into a remarkable modernist testament."
--Edward Hirsch
I am captivated by these sonnets. The
free movement of consciousness, the mind
operating in the universe, are here the
expression of a mature, hugely ranging
person, giving these sonnets a
poingnancy and wisdom not normally seen.
There is art and cunning, form, ruthless
honesty, and it is not self-serving."
--Gerald Stern
"The stunning scope, their wonderful
irreverence, their slangy, antic humor,
their stark realism, and their brave
confrontation with the ultimate
questions all combine to bring us a
worthy life work that is bound to be
recognized as a masterpiece."
--Philip Appleman "His range of
knowledge informs powerful social,
religious and political commentary as he
writes about philosophers, poets
(especially but not solely Hispanic and
Chinese), death from AIDS, Tibet, a
Stone Age mummy found in a glacier and,
of course, himself ("Do I hurt? No. I'll
be / a will-less barn stone cool and on
my own"). This prodigious effort offers
rewards to grazers and those who read
the sonnets in order."
--Publishers Weekly
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