BIO RESUME ARTIST STATEMENT TEACHING PHILOSOPHY ART WORKS CLASSES

 

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Printmaking is for all students who discover in themselves a love of drawing and the graphic qualities of contrasts in design, pattern, composition, who are intrigued with the analytic potential of process and sequential growth, and finally, who want to understand and be challenged by the impact of print media on society, culture and art.

DIGITAL PRINTS AND POETRY PAIR, FALL 2003

GALLERY OF MULTIMEDIA STUDENT POETRY


VISITING ARTISTS TRIO VISITED THE COMPUTER ART CLASS

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COURSES OFFERED:

PRINTMAKING I course syllabus
COURSE #: Art 242
Initial study of basic processes of preparing and printing the inked surfaces of metal, wood, linoleum, and other intaglio and relief printing surfaces. The student is taught a variety of techniques, proper and safe use of the equipment and tools, and the basic aspects of preserving and collecting prints as fine art. I also cover technical and conceptual aspects of an on-going integration of technologies and printmaking arts both in relation to industrial printing and fine arts.
CREDITS: 3 (one semester) PREREQUISITE: 100 PERMISSION: No

PRINTMAKING II course syllabus
COURSE #: Art 342 
A continuation of the objectives of Printmaking I, which is a prerequisite. Processes such as acid-less technique, electric tools engraving, open bite, photo etching, color printing, linoleum engraving intaglio, and other non-orthodox techniques are explored. Emphasis is on development of imagery and innovative printing methods that meet the student's aesthetic and conceptual needs from conventional to experimental. The class at this level is particularly worthwhile to students interested in art-related fields and pursuing studio art as a career, Museum/Curatorial Studies, collecting and managing art collections, and other areas directly and indirectly related to multiples, graphic industry, and prints are addressed.
CREDITS: 3 (one semester) PREREQUISITE: 100 and 242 PERMISSION: Yes

PRINTMEDIA IN VISUAL COMMUNICATIONS course syllabus
COURSE #. Art 303
Encompasses both traditional and digital printmaking processes with a strong emphasis on the history of 20th-century graphics and printed images in visual communications. Major movements in printed graphics such as the Russian Avant-Garde, Bauhaus and Die neue Sachlichkeit in the Weimar Rebublic, the WPA Federal Arts Project, Chinese Propaganda Posters. Solidarnost Posters from Eastern Europe, Mexican Revolutionary Posters are studied. Connection between deverse cultural, political, and economic communities and issues such as urban society, religion, ethnicity, and cultural and political changes are analyzed by examining, and better understanding, prints and multiples. The ultimate goal of the course is to enable students to create their own imagery utilizing a variety of printing techniques and the computer as a tool in their own art making. Prerequisite: 100 or instructor's permission. One semester, 3 credits.

PRINTMAKING WORKSHOP course syllabus
COURSE #: Art 342
Intensive 4-week class with presentations of a variety of techniques, experimental printing processes, proper and safe use of the equipment and tools. The student has first hand experience in basic mixed media intaglio and relief processes. 
CREDITS: 4 (January) PREREQUISITE: 100 and 242 PERMISSION: Yes

SPECIAL PROJECTS IN PRINTMAKING
COURSE #: Art 343
A continuation of the objectives of Printmaking I and II, which are prerequisites. The student is expected to integrate conceptual and aesthetic concerns with a serious exploration of the medium potential. A variety of new techniques, and directions in contemporary printmaking are presented. Class aimed towards students interested in pursuing studio art career on a graduate level as fine artists.
CREDITS: 3 (one semester) PREREQUISITE: 100 and 242 PERMISSION: Yes

PAPERMAKING, BOOKMAKING AND ALTERNATIVE PRINTMAKING 
COURSE #: Art 243 rationale
Intensive 4-week class focusing on the art and craft of making handmade papers and artist's books. Presentations of a variety of techniques, experimental printing processes, proper and safe use of materials. The student has first hand experience in basic paper making and printing processes.
CREDITS: 3 (one semester) PREREQUISITE: 100 PERMISSION: Yes

FESTIVAL PREPARATION 
An introductory level studio art class (one credit) where students participate in the preparation for the Day of the Dead, an art festival on campus. Posters printing, mask and costume making, gallery preparation and festival design are included. 
CREDITS: 1 (one semester) PREREQUISITE: none PERMISSION: Yes

 

© copyright 2004 | Whittier College | all rights reserved   
E N D I    P O S K O V I C
Associate Professor/Director
Printmedia and Digital Art
Whittier College
13406 E. Philadelphia Street
Whittier, California 90608, USA
eposkovic@
yahoo.com
562-907-4200 (4590)