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FACULTY:                    Endi Poskovic, Associate Professor of Art
OFFICE TEL.:               907-4200 (ext. 4590) leave a message with your name & tel.
E-MAIL:                        eposkovic@whittier.edu

OFFICE HOURS AND CLASS ACCOMMODATIONS
Office hours will be posted or by appointment. If you require special accommodations to attend the class regularly, please let me know so I can arrange these for you. I am open to discussion on questions or problems you may have related to this class, and can meet outside of my regular office hours. To schedule an appointment, please e-mail or call me a couple of days in advance.

COURSE OBJECTIVES
Art 200 is an initial study of basic software for Macintosh computer as related to fine art. Photoshop and Illustrator are covered, which are the chosen software for a majority of artists who deal with still images. Students will also get a chance to explore iMovie software, and if interested, will incorporate it in their projects. The technical and conceptual potential of the computer is explored by applying established and contemporary principles of art and design. Differences and similarities between commercial and non-commercial computer generated art and design will be addressed through discussions and assignments, which will cover both approaches. We will view the artworks by contemporary artists who use and integrate digital technologies into the production and exhibition of their work.

In the first weeks of this course, you will acquire technical skills and use them primarily as a means for articulating your ideas. During the semester, you will also develop basic analytical skills, ideas and opinions about computer art, and seeing. All of this will give you a base for the continuation of your artistic practice and enable you to expand your creativity beyond the classroom. Ultimately, this experience will enable you to create your own imagery using the computer as a tool in art making.

CLASS FORMAT
Each class may be based on one or more of the following:
Practical Classes consist of studio exercises, short lectures, discussions and individual assignments. Homework is given every week. You will have a 24-hour access to the Wardman Art Building and the Graphics Arts Lab so you can continue working on your projects after class.

Theoretical Classes are lectures supported with slides, films, books and various articles on contemporary art. We will also look at original artworks when appropriate and available (see field trips bellow). You will see the work by different artists first hand and experience both the technical and conceptual aspects in making their work.

Critiques are scheduled both in class setting and individually. You will present your work done in/out of class. These critiques are used to critically assess the work in a group setting, and you will be invited to comment on technical and conceptual progress (and problems) of your work and the work of your classmates. I will provide guidance during the discussions, and a verbal response to your work. Ultimately, all students should exchange and offer constructive and helpful suggestions for the improvement and completion of their artwork.

Field trips to the Los Angeles area museums, galleries, and visiting artist lectures.

GRADING POLICY AND EVALUATION PROCEDURES
Credit hours: Computer Art I is a 3 credit hour class. Each session lasts 2 hours 50 minutes. Breaks are permitted at the instructor’s discretion. 

You will receive a grade for each project and the final grade (+ and – will be affixed when applicable).  In order to earn 3 credits in this course all assignments required for the final critique must be turned in by the due-date/dates. Consider spending at least one or two hours on your assignments after each class and at least two to three hours on the weekends. 

Your grade will be based on the following:

a)                  aesthetic progress and improvements made during the course of semester (qualitative grade)

b)                  overall in-class production of work (quantitative grade)

c)                  active and enthusiastic class participation in critiques and discussions

d)                  regular homework (out of class drawing assignments)

e)                  regular project revisions

f)                   proper attendance

g)                  positive working attitude

h)                  on-time presentation of projects and final portfolio 

All of the above factors play a role in your final grade.  While natural ability and talent are welcomed, they do not necessarily bring in a high grade.  I always reward self-motivated work, self-initiated projects, and revisions of your in-class assignments.  The following assignments will also count towards your final grade: 

i)                    a weekly visual journal in the form of a sketchbook used for note-taking and the practice of techniques learned in class.  At the end of semester, the sketchbook will have no fewer than 100 pages completed

j)                   reading and research (when assigned)

k)                 short essays and individual presentations (when assigned) 

The grades A, B, C, D, and F stand for: 

"A"     Outstanding and rare ability to analyze and integrate course material, consistent advancement (both technically and creatively), constructive approach towards the course assignments from the beginning throughout the semester.  Exemplary work in every meaningful way. 

"B"      Work is substantially above average and as such fulfills all the requirements and more.  Clear understanding of the techniques, principles, theory, and practice.  You are beginning to express yourself creatively. 

"C"     Competent work, average output, fulfills, though without distinction, minimum requirements. 

"D"     Poor work, poor effort, little effort put into improving the work as per the requirements outlined for the project, below average.  Missed an unacceptably great number of classes. 

"F"      Unacceptable in all areas, lacks understanding, skills, and creativity, overall negative attitude towards the class.  Missed an unacceptably great number of classes. 

Late work and makeup assignments: late assignments are only accepted in duplicate, that is, you must complete two different projects using the same criteria and they must be turned in together within one week of the original assignment date. 

COURSE REQUIRED PROJECTS
For each assignment you will receive a detailed project description.  The following projects are required for your final portfolio:

SELF & OTHERS (two portraits)

RECTANGULAR MARQUEE (one portrait)

ELLIPTICAL MARQUEE (one portrait)

COMPOSITE (one portrait)

HYBRID (two composite images)

SITE (one group project with two invented sites)

HOMEWORK ASSIGNMENTS (when assigned)

ATTENDANCE REQUIREMENT
I take attendance very seriously.  Information is given throughout the class; therefore, it is essential that you remain present for the entire time. The following class policy will remain in place for the duration of semester:
- 3 absences will result in lowering of your final grade for one full letter.  7 absences will result in automatic failure of the course. 

- Whittier College Art and Art History Department does not allow unexcused absences. You are responsible to notify me verbally and by e-mail of any anticipated absences, i.e. if you will be absent, late, or need to leave before the class ends. Missed scheduled reviews, lectures, group critiques, or group clean-up sessions will considerably affect your overall grade. 

- Tardiness will not be tolerated: students arriving after roll is called are marked as absent. It is your responsibility to make sure the attendance sign up sheet is marked at the beginning of each class.

CLASSROOM POLICIES
Academic Integrity: Students at Whittier College Art Department enjoy significant freedom of creative and artistic expression and are encouraged to stretch their scholarly and artistic boundaries. However, the College prohibits all forms of academic dishonesty. For present purposes “academic dishonesty” is understood as the appropriation and representation of another’s work as one’s own, whether such appropriation includes all or part of the other’s work or whether it comprises all or part of what is represented as one’s own work (plagiarism). Appropriate citation avoids this sort of dishonesty. In addition, “academic dishonesty” includes cheating in any form, the falsification of academic documents or the falsification of works or references for use in class or other academic circumstances. When such dishonesty is discovered, the consequences to the student can be severe.
*Only students enrolled in the course may use the studio.

EXTRA POINTS
Attendance at the Whittier College Greenleaf Art Gallery openings and Visiting Speakers Lecture Series is highly encouraged and will earn you extra points.  These events are festive, inspiring, educational, and beneficial for you as a liberal arts student.    Good food and refreshments are always provided free of charge, and people socialize discussing interesting and progressive ideas about art and everything else.  In most instances, the artist/s will be present.  You are also expected to attend lectures/demonstrations by visiting artists/speakers (when announced). Try not to miss them!

LAB FEE
The lab fee of $ 75 will be charged automatically to your account if you continue after the drop/add period. You will be provided with 2 zip disks, printing paper, printing inks and unlimited use of the color printer. For any additional printing you are responsible for purchasing your own paper. There will also be Computer Art Lab charge for printing unrelated to this class.


LAB RULES/COLLECTIVE STUDIO DUTIES
No drinking, eating or smoking in the computer lab
Do not save your files onto hard drive (save them in your folder only)
Do not tamper with preferences and original software files
Turn off your telephone during class
Clean up your area before you leave
Absolutely no headphones during the class
Please turn off your computer and monitor before you leave

LAB HOURS
The graphic arts lab is open on a 24-hour basis, including weekends, to students currently enrolled in the class. You are free to work at any time, except during another class.  Lab assistants will also monitor the lab approximately 60 to 70 hours every week.   The hours when the lab is open to all students will be posted at the entrance door.  During the regular lab hours, you may come and work as you wish. At other times, when the lab is closed, your name will be listed with the Campus Safety and an officer will let you into the lab as per your request.  This is what you need to do: 

-contact the Campus Safety at 4211 about 15 to 25 minutes before you want to be let in.  An officer will then unlock the doors and let you in. 

-before you are ready to leave, and if you happen to be the last person working in the lab, you will make sure that all the doors are locked and closed before you leave.  The open lab policy is for your convenience, based on your cooperation in keeping the place in good order.  Abuse of this privilege could result in closing the studio beyond “class hours.” 

For software and hardware problems consult with Professor Poskovic at 4590 and Computer Center at 4287. In case of an emergency immediately contact: Campus Safety at 4211

LOS ANGELES AREA ART/COMPUTER ART SUPPLIES STORES
There are many art stores in the metropolitan LA which carry art supplies, and offer student discounts.  Please mention the discount and show your ID.  For more specific art supply stores in the LA area, please contact me.

-MacMall (ALL SUPPLIES FOR MACINTOSH COMPUTERS) 1-800-222-2808

-Utrecht Art Supply in West LA (310) 478-5775

-Art Warehouse in Westminster (714) 891-3626

-Staples in the Whittier Quad area

ADDITIONAL INFORMATION (related exhibitions, artists, galleries, museums, etc.)
More info will be handed out every month

SELECTED INDEX TO ALTERNATIVE AND ARTIST-RUN GALLERIES IN THE LA AREA
ActionSpace http://www.actionspace.com/
Arden2 http://www.arden2.org
Black Dragon
China Art Objects Galleries
Crazy Space
Cyberspace http://www.eztvmedia.com
DiRT
18th Street Complex
FIG
Gallery 825/LAAA Annex http://www.laaa.org
Institute of Cultural Inquiry http://www.culturalinquiry.org
L.A. Artcore
L.A. Artcore Brewery Annex http://www.laartcore.org
Los Angeles Contemporary Exhibitions
Orange County Center for Contemporary Art (OCCCA)
POST
RAID PROJECTS
Side Street Projects http://www.sidestreet.org/

SELECTED INDEX TO MUSEUMS IN THE LA ARE
Autry Museum of Western Heritage
Bowers Museum
California Heritage Museum
Craft and Folk Art Museum
Getty, J. Paul Museum
Huntington Library
Japanese American National Museum
Laguna Art Museum
Long Beach Museum of Art
Los Angeles County Museum of Art/LACMA West
Mingei International Museum of Folk Art
MOCA Gallery at Pacific Design Center
The Museum of Contemporary Art (MOCA)
Museum of Jurassic Technology
Museum of African American Art
Museum of History and Art, Ontario
Museum of Latin American Art
Museum of Neon Art (MONA)
Museum of Photographic Arts
Museum of Tolerance
Oceanside Museum of Art
Orange County Museum of Art:
Pacific Asia Museum
Palm Springs Desert Museum
Pasadena Museum of California Art
Riverside Art Museum
San Diego Museum of Art
Santa Barbara Museum of Art
Santa Monica Museum of Art
Simon, Norton Museum
Skirball Cultural Center
UCLA/Fowler Museum of Cultural History
UCLA Hammer, Museum
UCR/California Museum of Photography