Slide List Art 366 Spring 2002 First Part of Course:  The Culture of Appearance François de Poilly, Morning, engraving from a series on the Four Times of Day, 1643 Hyacinth Rigaud, Philippe de Courcillon, marquis de Dangeau, 1702 Tapestry showing Louis XIV visiting the Gobelins Sketch by Henri de Gissey showing Louis XIV as "War," c1654 Anon., The Comte de Saint-Aignan as a sea-god, c1654 Henri de Gissey (attributed to), Man (possibly Louis XIV) performing a Dryad, c1654 Raoul Auger Feuillet, Balet de neuf danseurs (Ballet for Nine Dancers), 1700 Anon., Nine Men Dancing, c1660 Fashion engraving of a French Courtier, 17th century Henri de Gissey (attrib.), Louis XIV as Sun in the Ballet de la Nuit, drawing, c1653 Isreal Silvestre, Troisième Journée (Third Day), engraving, 1673 Dragon Fountain at Versailles Jean-Baptiste Tuby after Charles Le Brun, Apollo Fountain, Anon., La Salle du Bal, engraving, last quarter 17th century Nepture Fountain at Versailles Jean Nocret, Allegorical Portrait of Louis XIV and his Family Gerard Van der Gucht after Kellom Tomlinson, Passacille or Chaconne, from The Art of Dancing, London, 1735 Gerard Van der Gucht after Kellom Tomlinson, The regular order of the Minuet   Gaspard and Balthazar Marsy, The Latona Basin, 1670-1689 The Water Garden, Versailles The North Garden, Versailles Designer of the Versailles gardens: André Le Nôtre Designer of Versailles interiors under Louis XIV:  Charles Le Brun Designer of the Palace remodel under Louis XIV: Le Vau Hall of Mirrors, Versailles Diana Drawing Room, Versailles Apollo Drawing Room (also used as the Throne Room), Versailles Wax effigy of Louis XIV Rigaud, Louis XIV, 1701   Antoine Watteau           The Sign of Gersaint, c1720           Etchings of fashionable men & women, c1709           The Conversation (portraits of Crozat?)           The Italian Comedians           The French Theatre (Actors of the Comédie Français)           Satire Against Physicians, c1703           In the Costume of the Mezzetin, c1715           The Concert (Portrait of Bougi, engraving after a lost Watteau)           Gilles           Pierrot Content           Harlequin and Columbine           The Music Party (cf Rubens, Garden of Love, 1638)           Fête in a Park           Venetian Party           Pilgrimage to Cythera, 1717           Girl Dressing           The Remedy (drawing)           The Norton Simon Nude           Engravings showing Watteau's self portrait & The Monkey Sculptor   Rigaud, Self portrait, 1698 Meissen figurine showing allegory of a painter (as a monkey)   Examples shown in discussion of De Piles: Raphael's Galatea, Rubens's Rape of the Daughters of Lycippus, Caravaggio's Crucifixion of St. Peter, Renaissance drawing after the Hellenistic sculpture known as the Farnese Hercules, Titian's Rape of Europa   François de Troy, The Reading From Molière, 1728 Courtonne, Hôtel Matignon, 1722-24 Pierre Bullet, Hôtel Crozat & Hôtel Evreux (floor plans in your packet) Jules Hardouin Mansart, Château Neuf, 1706-09 Germain Boffrand, Hôtel d'Amelot, 1712 Germain Boffrand, Hôtel Soubise (oval salon), 1732   Rosalba Carriera-pastels           Portrait of Enrichetta Anna Sofia di Modena           Portrait of a Man (Watteau?)           Self portrait holding a picture of her Sister           Louis XV as a child           Woman with a Rabbit (Huntington)--Allegorical representations           Courtesan with a Parrot           Self portrait Crowned with Laurels   Library Table, early 18th century Paar Room at the Metropolitan Museum Library Table attributed to Charles Cressent, c1720s Justin Aurèle Meissonnier, engravings from his Book of Ornaments, 1734 Drawing showing wall panels by Nicolas Pineau Music Room of Madame Adelaide, Versailles   Belle, Portrait of 13-year-old Louis XV, 1723 Edme Bouchardon, Cupid Carving a Bow, c1750 The Hercules Drawing Room, Versailles Charles-Antoine Coypel, Hercules and Omphale, 1731 François Lemoine, Hercules and Omphale, c1730-35 Noel Nicolas Coypel, The Rape of Europa, 1726-27 (winner of the concours sponsored by the Royal Academy of Painting and Sculpture)     Willem Kalf, Still Life, c1640 Nicolas de Largillière, Still Life with Dog and Rabbit, c1680 Jean-Baptiste Oudry, The Dead Wolf, 1721 François de Troy, The Declaration of Love, 1725 Engravings of fashion prints; Allegory of Childhood Jean-Siméon Chardin           Cat stalking Partridge, c1728           The Buffet, 1728           Lady Sealing a Letter, 1733           Woman Taking Tea, c1735           The Governess, 1739           Saying Grace, 1740           Morning Toilette (La Toilette, ou Le Négligé), 1741           Boy Blowing Soap Bubbles, c1733           The Top, Portrait of Auguste-Gabriel Godefroy, 1738           Cellar Boy, 1738           Scullery Maid, 1738 (pendants)           Basket of Strawberries, 1761           The Cut Melon, 1760           Attributes of the Arts, 1766   Porcelain Figurines representing Beggars, c1750 Pair of mounted ceramic groups from China (1662-1722; flowers are French Sèvres porcelain vases with elephant heads and chinese motifs (chinoiserie), c1760 Meissen candelabra in the form of elephants, c1750   François Boucher           Calling Card           Tragedy from a representation of the Arts & Sciences           Tapestry called The Collation           La Toilette, 1742           Hercules and Omphale, 1731-34           Venus, Mercury and Cupid, 1742           Venus Requesting Vulcan to Make Arms for Aeneas, 1732           Apollo Revealing his Divinity to Issé, 1750           Madame de Pompadour at her dressing table, 1758           Madame de Pompadour, 1756           The Dark-Haired Odalisque, c1745           Reclining Girl           Pigalle           Madame de Pompadour as Friendship, 1753           Love Embracing Friendship, 1758   Second Part of the Course: The Culture of Nature, Virtue and the Classical   Various prints referring to or representing the Salon and critics writing about the Salon, including Boucher's satirical print, Painting Mocked by Envy, Stupidity and Drunkeness, 1747.  I also showed the title page to the Encyclopedia, reproduced in Outram.   Greuze           Broken Eggs, 1756           Italian Indolence, 1756           The Fowler, 1756           A Marriage Contract, 1761           The Morning Prayer           The White Hat, 1775-80           Child Playing with Dog, c. 1765           Girl Crying Over her Dead Bird, c. 1763, Salon 1765           The Father's Curse [or The Ungrateful Son, sketch mentioned in Salon 1765], painting                     dates from 1777-78           The Son Punished, 1777-78           Septimus Severus Reproaching his Son Caracalla, 1769   Classical Revival [also known as Neoclassicism]; Grand Tour, Pompei, Herculaneum, Caylus, Piranesi, Winckelmann   Robert Adam           Newby Hall, 1767-72           Syon House (Various views), 1761-65           Etruscan Room at Osterly Park, 1775-6           Salon at Saltram, 1768   Angelica Kauffman           Selfportrait, c. 1770           Portrait of Winckelmann, 1764           Ariadne Abandoned by Theseus and Discovered by Bacchus, 1794           Furniture decorated with images by Kauffmann           Designo, panel from the ceiling of The Royal Academy, 1778           Color, panel from the ceiling of The Royal Academy, 1778           Allegory of Imitation, c. 1780           Painting Embraced by Poetry, 1782 (includes a self portrait as Painting)           Angelica Kauffman Hesitating between Painting and Poetry, 1791           Cornelia, Mother of the Gracchi, 1781           Zeuxis Selecting Models for his Painting of Helen of Troy, c. 1778   Ange-Jacques Gabriel, The Petit Trianon, 1762-68   Examples of furniture in the classical style (including a room reassembled at the Getty, 1780s)   Vien           The Selling of Cupids, 1763           Greek Woman at her Bath, 1767           The Temple of Hymen, 1773 (one of four canvases for Louveciennes)             Pigalle, Votaire Nude, 1776 (cf Horatio Greenough, George Washington, 1832)   Fragonard           The Swing, 1766-67           The Seesaw, 1750-52           Louveciennes panels: The Meeting, The Pursuit, The Lover Crowned, Love Turned Into                    Friendship, 1770-72           The Bolt, 1779           Adoration of the Shepherds, 1779   Falconet, The Bather, 1757   Piranesi           Ruin of Hadrian's Villa           Print from the Prime Parte, c. 1742           Vedute di Roma, 1750-78           Castel S. Angelo, 1756           Fuseli           The Artist Moved by the Grandeur of Ancient Ruins (drawing), 1779           The Nightmare, 1781-82           Polyphemous           Cupid & Pysche, c. 1812   Gardens           Stowe (designed by Kent), begun 1730s           Ermenonville, begun 1766 (designed by owner, the marquis de Girardin)           Monceau, begun 1773 (designed by Carmontelle)           House of Monsieur de Monville in his garden (in the form of a ruined column)           The Hameau, Marie-Antoinette's garden at Versailles   Thomas Jefferson, State Capitol at Richmond, 1785-89   Quentin de La Tour           Portrait of President de Rieux (pastel)           Portait of Madame Rieux, 1742           Portrait of Madame de Pompadour, c. 1751   Joshua Reynolds           Selfportrait with Bust of Michelangelo           Master Crewe as Henry VIII           Commodore Augustus Keppel, c. 1752           David Garrick Between Comedy and Tragedy           Sarah Siddons as The Tragic Muse, 1784 (Huntington)           Lady Sarah Bunbury, 1765           The Montgomery Sisters: Three Ladies Adorning a Statue of Hymen, 1773           Cupid, A Link Boy           Countess Spenser, 1780s (Huntington)   Thomas Gainsborough           Lady Ligonier (Huntington)           Juliane, Lady Petre           Mr. and Mrs. Robert Andrews, c. 1750   Elisabeth Vigée-Lebrun           Count Shuvaloff, 1775           Calonne, 1784           The Marquise de Pézay and the Marquise de Rougé with her Sons, 1787           Countess Golovin, 1797-1800           Selfportrait in The Straw Hat, 1782           Selfportrait with her Daughter Julie, 1786           Marie-Antoinette and her Children, 1787           Portrait of Hubert Robert           Selfportrait with her Daughter Julie (à l'antique), 1789       Hubert Robert           Hermit Praying in a Ruin (Getty)           Drawing of a ruin           Six canvases for the salle de bains (bathing room) at the Bagatelle, designed by the                       architect Belanger for Count of Artois, begun 1777.  I focused on two:  The Swing               and The Bathing Pool           The Dismantling of the Bastille, 1789   Jacques-Louis David           Count Potocki, 1781           The Oath of the Horati, 1785           The Death of Socrates, 1787           Paris and Helen, 1789           Brutus Receiving the Bodies of his Sons, 1789           Drawing for the composition representing the oath of the Tennis Court, 1789           Various preparatory drawings for the above           Costume for a Judge           Marat Assassinated, 1793           Sketch of Marie-Antoinette on her way to the guillotine, 1793           Bonaparte Crossing the Alps, 1799-1800           Madame de Pastoret   Prints representing Liberty (1792), Festival of August 10, 1793 (with the Fountain of Regeneration), Festival of The Supreme Being (1794), The Third Estate Awakening from Its Slumbers, The Three Estates Making a Constitution. The Dismantling of the Bastille   Francisco Goya           Count of Floridablanca, 1783           Manuel Osorio de Zuniga, 1784           The Swing, 1781           The Parasol, 1777           Burial of the Sardine           Conjuration, 1797-98           Prints from The Caprichos (1799) The Dream of Reason Produces Monsters, Selfportrait, And So Was His Grandfather, Until Death, That Certainly is Being Able to Read, They've Already Got a Seat, Lads Making Ready, They Carried Her Off!, Nobody Knows Himself, To Rise and To Fall, They Spruce Themselves Up, Where is Mother Going?, Neither More Nor Less           Portrait of Queen Maria Luisa, 1798           Portrait of Carlos IV, 1799           Group Portrait of the Family of Carlos IV, 1800           Duchess of Alba, 1797           Dona Francesca Vicenta Chollet y Caballero, 1806 (Norton Simon Museum)           Nude Maja, c. 1790s           Clothed Maja, c. 1800           Fernando VII, 1814           The Second of May, 1808, 1814           The Third of May, 1808, 1814           Prints from The Disasters of War, 1810-1820 The Same, One Can't Look, No One Can Know Why, Great Courage! Against Corpses!, Nothing, That's What It Says           Selfportrait, c. 1817           The Black Paintings (1821-22):  Two Men Fighting With Clubs, The Witches' Sabbath, Destiny, Saturn (or Cronos) Devouring His Children                  Art & Art History Department Web Site